翻訳と辞書
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・ Yōichi Kobiyama
・ Yōichi Komori
・ Yōichi Kotabe
・ Yōichi Masukawa
・ Yōichi Masuzoe
・ Yōichi Midorikawa
・ Yōichi Takahashi
・ Yōichirō
・ Yōichirō Morikawa
・ Yōichirō Takahashi
・ Yōjasō no Maō
・ Yōji
・ Yōji Enokido
・ Yōji Kuri
・ Yōji Matsuda
Yōji Sakate
・ Yōji Tanaka
・ Yōji Ueda
・ Yōjirō
・ Yōjirō Ishizaka
・ Yōjirō Takita
・ Yōka Station
・ Yōka Wao
・ Yōkai
・ Yōkai Ningen Bem
・ Yōkai Yashiki
・ Yōkaichi Station
・ Yōkaichi, Shiga
・ Yōkaichiba Station
・ Yōkaichiba Tōshō-gū


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Yōji Sakate : ウィキペディア英語版
Yōji Sakate

is a contemporary Japanese playwright notable for his plays that frequently comment on social and political issues in Japan. His most prominent plays are ''The Attic'' (屋根裏 ''Yaneura'', 2002), ''Come Out'' (カムアウト ''Kamu auto'', 1989), ''Tokyo Trial'' (トーキョー裁判 ''Tōkyō saiban'', 1988), and ''Epitaph for the Whales'' (くじらの墓標 ''Kujira no bohyō'', 1993). In his works, he focuses on dramatizing real-life events, and also depicts the historical past. In 1983, he founded his own theater company called the Phosphorescence Troupe (燐光群 ''Rinkōgun''). Sakate is currently the president of the Japanese Playwrights Association, and the director of both the Japan Directors Association and Japanese Center of International Theater Institute.
==Biography==
Sakate was born in Okayama, Japan in 1962. He studied Japanese literature at Keiō University in Tokyo. During his time at Keiō University, he was inspired and learned from Tetsu Yamazaki, a second wave playwright, to utilize theater as a method to confront contemporary issues in society. He later joined Yamazaki’s theater company called Transposition 21.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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